NothingGoesToMyHead.
A parallel universe for moody art-school kids with a thing for Joy Division. Curated by Rhamier Auguste.
NothingGoesToMyHead.
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Massimo Osti’s black notebooks
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Lucio Dalla photographed by Luigi Ghirri in New York, 1984
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beammedownn:

Alek Wek by Terry Richardson
styling Edward Enninful  i-D magazine 1997
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beammedownn:

Alek Wek by Terry Richardson
styling Edward Enninful i-D magazine 1997
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vroomheid:

Half Wild, Half Child, fourth year collection by Olivier Rizzo, 1993.
Olivier Rizzo: As students, we were given an almost absurd amount of freedom, the only objective being to get as much creativity out of us as possible. On the other hand, the system was fairly traditional. You were given a clearly delineated working method: drawing inspiration from historical fashion, then from ethnographic history of costume, then making designs based on them, telling a story with them, arranging ideas. That has certainly permeated my work as a stylist, and the way I approach an assignment. Again and again, whether it is for a photo shoot or styling a fashion show, I make a jumble of references for myself, always triggered by emotions, from which I destil the necessary elements in order to present that idea in comprehensible form. Ultimately, I did not become a designer because, rather than having to compete with other designers, I prefer to tell my own stories with the clothes of designers whom I find right for that particular moment and whose work I admire.
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H.R. Giger polaroid
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H.R. Giger polaroid
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